UtahRedRocks.com Visions of the Natural Stone Artistry of Southern Utah Visions of the Natural Stone Artistry of Southern Utah


Utah Red Rocks Image Gallery 3 - Photographs by Robert F. Riberia

Here's another fresh batch of photos from the heart of Red Rock Country.  I love taking these photos, and I really love sharing them with anyone who is interested in this area.  I hope you all have the opportunity to come out here and take your own photos!  As I compiled this latest bunch I realized, once again, just how much I love living here.  Moving to southern Utah was the best thing my wife and I ever did.  If you get nothing else out of this website, remember this: If you have a favorite place that you feel drawn to - a place that you really want to live in - MOVE THERE!  Do whatever it takes to get there.  Don't put it off - don't think of reasons why you should wait (there will always be some) - take a BIG risk and jump into it as soon as possible.  Do it now. There's no time like the present. Why live somewhere that you hate?  If you really want to be somewhere, you can make it work as long as you make the commitment.  Get your priorities straight and live.  You only live once folks - and not for all that long.  None of us will live forever, and none of us can guarantee that we will be alive in another year or two.  I can guarantee that living in a place that you love is the most wonderful and fulfilling thing that a person can do, wherever that place may be!!!  Every other aspect of the relatively mundane aspects of "simply surviving" will fade into insignificance.  Go for it.

Description: Colorado River Gorge - This is the view that awaits backcountry travelers at the very end of the "Chicken Corners Trail".  The Chicken Corners Trail starts at Hurrah Pass (14.7 miles from Moab) and continues for 11.2 miles beyond it.  The trail requires a 4WD vehicle and is a very entertaining way to spend the good part of a day.  Round trip distance from Moab is 52 miles. This view of the Colorado River Gorge was taken in February, 2002.  Although we had a very light winter, you can see some snow in the shadowed areas of the distant cliffs.  If we get any snow during the winter in Moab, it usually only hangs around in shaded areas.  This particular spot is located directly across the river from the overlook at Dead Horse Point State Park.  Interesting note: The final scene from the movie Thelma and Louise was shot on the cliffs on the opposite side of the river. (The scene where the two fleeing woman deliberately drive their convertible over a cliff.)  
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film

Description: Colorado River Gorge - This is another view from the exact same location as the previous picture.  Note that during the winter the Colorado River takes on an emerald green color, in contrast to the brown/red color it assumes during spring, summer and fall, when it is faster moving and loaded with sediment. Ice and small rapids can be seen in the river, which is approximately 500 feet below. 
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Wind Caves - My friend Roger and I enjoyed exploring this series of passageways which have eroded into an outcropping of  Entrada Sandstone, a few miles east of Canyonlands National Park.  On a breezy day the wind can really howl through these chambers, but on the day we visited it was quite calm.  Since we were there in the middle of winter, the lack of wind was quite welcome!  Photo tip: Because of the cold temperature, my camera battery (fairly old) went dead shortly after arriving at the caves.  I was able to resurrect it by taking it out of the camera and warming it up in my pocket.  I managed to get another 15 photos utilizing this technique. 
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Dolores River - In November of 2001, my wife and I accompanied a group of friends into an area locally referred to as "The Dolores Triangle".  The beginning of this route involved fording the Dolores River.  Since I have driven across several rivers in the past, I didn't hesitate with this one.  Although it was deeper than the other rivers that I had crossed, I followed our group leader as he led the way across the river.  Only after everyone got to the other side did he tell us about the number of vehicles that had been lost while crossing the river at that point.  There is a very narrow sandbar that you need to keep your tires on while you are crossing. The problem is, it is very hard to tell where the sandbar is.  If you venture a few feet off either side of the "trail", you are in serious trouble.  This is definitely a river to ford only when the water is low!
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Dolores River - This is the exact section of the river that we drove across.  The cottonwoods were ablaze with beautiful autumn color, and the late afternoon sun really brought out the gold.  I was amazed to see this much foliage color in mid November.  I took this shot at the end of a long day driving the Dolores Triangle, which took us all the way to the border of Colorado.
Camera/Lens: Nikon N65/70-300mm Nikkor
Film: Fuji Velvia Slide Film
Description: Dolores River Reflections
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Dolores River Reflections
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Entrada Bluffs - The late afternoon sun provided wonderful lighting for this striking rock formation near the Dolores River.
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Entrada Bluffs - Another view of the same formation in the previous photo.
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
 
Description: View from Grand View Point - Canyonlands National Park - The northern section of Canyonlands National Park, poetically called The Island in the Sky, is situated atop a 1500 foot mesa.  The views over the edge of this massive mesa encompass thousands of square miles of canyon country.  Grand View Point, located at the southern tip of the Island in the Sky, affords views of over 100 miles in three different directions encompassing a total of nearly 10,000 square miles of canyon country!  It takes my breath away every time I see it, although it took my breath away on this March day due to gale-force winds.  Spring in canyon country can be a windy time!  The White Rim and Monument Basin are seen down below on the right side of this photo.
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Monument Basin - Canyonlands National Park - This is a closer view of Monument Basin, which is over 1000 feet below the overlook where I took this photo.  The white rock that you see rimming the basin is called, logically, White Rim Sandstone.  The skyscraper sized formations jutting out of the basin floor are hundreds of feet tall.  There is a 100 mile trail on the White Rim that circles the Island in the Sky.  Suitable for 4WD vehicles and mountain bikes, it normally takes 2-3 days to navigate.
Camera/Lens: Nikon N65/70-300mm Nikkor
Film: Fuji Velvia Slide Film
Description: Buckhorn Overlook - Canyonlands National Park - A view looking east toward the La Sal Mountains, and my home town of Moab, from the Island in the Sky. 
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Waterpocket Fold - Capitol Reef National Park - This was taken on a beautiful April afternoon as my wife and I drove along the fold.  The Waterpocket Fold is a 100 mile long monocline that stretches from Thousand Lake Mountain on the north almost to Lake Powell on the south.  The park's vivid strata prompted Indians of the Four Corners Region to refer to this area as the Land of the Sleeping Rainbow.  
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Lava Rock - Capitol Reef National Park - These basalt boulders can be seen in many portions of Capitol Reef.  These volcanic boulders probably came from Boulder Mountain, about 30 miles from where I took this photo.
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Cottonwood Tree - Zion National Park - Late afternoon sun provided beautiful back-lighting for the leaves of this Cottonwood tree in Zion National Park.
Camera/Lens: Canon FTbn/Vivitar 28-70mm lens
Film: Kodak Gold 200 Film

Utah's Painted Desert

The area located between Hanksville and Capitol Reef National Park is often referred to as Utah's Painted Desert.  It is a desolate, haunting landscape or rolling hills of clay and mudstone, interspaced with stately mesas and butte-forms of Mancos Shale.  Appreciation of this stark landscape can be an acquired taste.  Initially repellant, its weird landforms and unearthly landscapes tend to grow on you.  Further exploration reveals a world of color and form unlike any other place on earth.  The softly contoured, banded hills of varying pastel hues of brown, red, purple, gray, and green are know as the Benotinite Hills.  They are composed of the Brushy Basin shale member of the Morrison Formation, which was formed during Jurassic times when mud, silt, fine sand, and volcanic ash were deposited in swamps and lakes.  Their unique texture and color prompted Ward Roylance to feature them on the cover of his Enchanted Wilderness book.  Trust me folks, this place is wild!  None-the-less, a trip into this area during the summer is like walking into an oven.  I've been out here when the ambient temperature is close to 110 degrees.  That heat, coupled with stagnant air and radiant heat reflected from the ground, can best be described as sweltering.  In the summer I never venture far into the backcountry of this area unless I have plenty of water.  In addition to my normal daily requirements, I always have at least 10 gallons of extra water in the back of my truck - just in case.

Description: Mudstone - near Hanksville, UT - This white hill was about 30 feet in height.  I was immediately stuck by its texture and the stunning contrast of the white mudstone against the blue sky.  
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Mudstone - near Hanksville, UT - The same formation as the previous picture.  This shot gives a closer look at its marvelous texture. It's harder than it looks - I walked right down the center of this hill and didn't leave any footprints. 
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Bentonite Hills - east of Capitol Reef National Park - The beautiful purple hues and sinuous drainage patterns speak for themselves.  
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Bentonite Hills - east of Capitol Reef National Park - The band of red in the upper portion of this photo really caught my eye.  This was mid-afternoon lighting, as flat as you can get, yet I thought it brought out the true color of these beautiful rolling hills.  Note: It is rather tiring walking around on these hills.  They have a soft, crumbly texture that makes walking on them similar to walking in sand.  Once you walk about a mile in this stuff, you can really feel it! 
Camera/Lens: Nikon N65/70-300mm Nikkor
Film: Fuji Velvia Slide Film
Description: Bentonite Hills - Bentonite swells when it gets wet (making even 4WD vehicle travel impossible), and contracts and crumbles when it dries.  Because of this constant cycle of expansion and contraction, few plants ever have the opportunity to take root.  Thus, this landscape is even more barren and desolate than the standard high deserts of the southwest.  However, that same lack of vegetation makes wandering around between these closely spaced hills a breeze.  The drainage channels are never choked with vegetation, and they provide much better footing than the hills.  Following these often complex networks of channels is like being inside a maze.  It can be a lot of fun, but you have to pay attention to where you're going.  
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Mudstone - Once again, I was fascinated with the contrast between the white rock and blue sky.
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Mudstone Patterns
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Desert Lichen - Even the most dry and desolate landscapes contain life.  Lichens are small crustlike plants that frequently grow on rock surfaces.  Although they are often gray and drab, some lichens may attain beautiful shades of orange, yellow and green. Lichens are the result of a symbiotic relationship between a fungus and an alga.  (If you remember that fact you will know as much as I do about lichens!)  Of course, I also think they're pretty neat looking, and they create some awesome patterns.  This patch was about 3 inches across.  
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Desert Lichen - I liked the texture of this 3" patch. When lichens die they turn black, and eventually flake off the rock surface.
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Bentonite Hills - Near Hanksville, UT - The pastel swirls of color eroding off these hills was an absolute delight to behold.  Pure color. 
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Bentonite Hills - Near Hanksville, UT - A closer view of the erosional colors.
Camera/Lens: Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide Film
Description: Mancos Shale Formations - Near Caineville, UT - Yet another face of southern Utah.  Shall we call this...Egyptian?  Pretty cool stuff if you ask me.  The many faces of Mancos Shale.  Utah, what a wild place!
Camera/Lens: Nikon N65/28-70mm Nikkor
Film:
Fuji Velvia Slide Film

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