| Utah
Red Rocks Image Gallery 3 - Photographs by Robert F. Riberia |
| Here's
another fresh batch of photos from the heart of Red Rock Country.
I love taking these photos, and I really love sharing them with
anyone who is interested in this area. I hope you all have
the opportunity to come out here and take your own photos!
As I compiled this latest bunch I realized, once again, just how
much I love living here. Moving to southern Utah was the best
thing my wife and I ever did. If you get nothing else out
of this website, remember this: If you have a favorite place
that you feel drawn to - a place that you really want to live in
- MOVE THERE! Do whatever it takes to get there.
Don't put it off - don't think of reasons why you should wait (there
will always be some) - take a BIG risk and jump into it as soon
as possible. Do it now. There's no time like the present.
Why live somewhere that you hate? If you really want to be
somewhere, you can make it work as long as you make the commitment.
Get your priorities straight and live. You only live
once folks - and not for all that long. None of us will live
forever, and none of us can guarantee that we will be alive
in another year or two. I can guarantee that
living in a place that you love is the most wonderful and fulfilling
thing that a person can do, wherever that place may be!!!
Every other aspect of the relatively mundane aspects of "simply
surviving" will fade into insignificance. Go for it. |
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Description:
Colorado River Gorge - This is
the view that awaits backcountry travelers at the very end of the
"Chicken Corners Trail". The Chicken Corners Trail
starts at Hurrah Pass (14.7 miles from Moab) and continues for 11.2
miles beyond it. The trail requires a 4WD vehicle and is a
very entertaining way to spend the good part of a day. Round
trip distance from Moab is 52 miles. This view of the Colorado River
Gorge was taken in February, 2002. Although we had a very
light winter, you can see some snow in the shadowed areas of the
distant cliffs. If we get any snow during the winter in Moab,
it usually only hangs around in shaded areas. This particular
spot is located directly across the river from the overlook at Dead
Horse Point State Park. Interesting note: The final scene
from the movie Thelma and Louise was shot on the cliffs on the opposite
side of the river. (The scene where the two fleeing woman deliberately
drive their convertible over a cliff.)
Camera/Lens: Nikon
N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Colorado River Gorge - This is another
view from the exact same location as the previous picture. Note
that during the winter the Colorado River takes on an emerald green
color, in contrast to the brown/red color it assumes during spring,
summer and fall, when it is faster moving and loaded with sediment.
Ice and small rapids can be seen in the river, which is approximately
500 feet below.
Camera/Lens: Nikon
N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Wind Caves - My friend Roger and
I enjoyed exploring this series of passageways which have eroded into
an outcropping of Entrada Sandstone, a few miles east of Canyonlands
National Park. On a breezy day the wind can really howl through
these chambers, but on the day we visited it was quite calm.
Since we were there in the middle of winter, the lack of wind was
quite welcome! Photo tip: Because of the cold temperature, my
camera battery (fairly old) went dead shortly after arriving at the
caves. I was able to resurrect it by taking it out of the camera
and warming it up in my pocket. I managed to get another 15
photos utilizing this technique.
Camera/Lens: Nikon
N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Dolores River - In November of 2001,
my wife and I accompanied a group of friends into an area locally
referred to as "The Dolores Triangle". The beginning
of this route involved fording the Dolores River. Since I have
driven across several rivers in the past, I didn't hesitate with this
one. Although it was deeper than the other rivers that I had
crossed, I followed our group leader as he led the way across the
river. Only after everyone got to the other side did he tell
us about the number of vehicles that had been lost while crossing
the river at that point. There is a very narrow sandbar that
you need to keep your tires on while you are crossing. The problem
is, it is very hard to tell where the sandbar is. If you venture
a few feet off either side of the "trail", you are in serious
trouble. This is definitely a river to ford only when the water
is low!
Camera/Lens: Nikon
N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Dolores River - This is the exact
section of the river that we drove across. The cottonwoods were
ablaze with beautiful autumn color, and the late afternoon sun really
brought out the gold. I was amazed to see this much foliage
color in mid November. I took this shot at the end of a long
day driving the Dolores Triangle, which took us all the way to the
border of Colorado.
Camera/Lens: Nikon
N65/70-300mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Dolores River Reflections
Camera/Lens: Nikon
N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Dolores River Reflections
Camera/Lens: Nikon
N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Entrada Bluffs - The late afternoon
sun provided wonderful lighting for this striking rock formation near
the Dolores River.
Camera/Lens: Nikon
N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Entrada Bluffs - Another view of
the same formation in the previous photo.
Camera/Lens: Nikon
N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
View from Grand View Point - Canyonlands
National Park - The northern section of Canyonlands National Park,
poetically called The Island in the Sky, is situated atop a
1500 foot mesa. The views over the edge of this massive mesa
encompass thousands of square miles of canyon country. Grand
View Point, located at the southern tip of the Island in the Sky,
affords views of over 100 miles in three different directions encompassing
a total of nearly 10,000 square miles of canyon country! It
takes my breath away every time I see it, although it took my breath
away on this March day due to gale-force winds. Spring in canyon
country can be a windy time! The White Rim and Monument Basin
are seen down below on the right side of this photo.
Camera/Lens: Nikon
N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Monument Basin - Canyonlands National
Park - This is a closer view of Monument Basin, which is over 1000
feet below the overlook where I took this photo. The white rock
that you see rimming the basin is called, logically, White Rim Sandstone.
The skyscraper sized formations jutting out of the basin floor are
hundreds of feet tall. There is a 100 mile trail on the White
Rim that circles the Island in the Sky. Suitable for 4WD vehicles
and mountain bikes, it normally takes 2-3 days to navigate.
Camera/Lens: Nikon
N65/70-300mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Buckhorn Overlook - Canyonlands
National Park - A view looking east toward the La Sal Mountains, and
my home town of Moab, from the Island in the Sky.
Camera/Lens: Nikon
N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Waterpocket Fold - Capitol Reef
National Park - This was taken on a beautiful April afternoon as my
wife and I drove along the fold. The Waterpocket Fold is a 100
mile long monocline that stretches from Thousand Lake Mountain on
the north almost to Lake Powell on the south. The park's vivid
strata prompted Indians of the Four Corners Region to refer to this
area as the Land of the Sleeping Rainbow.
Camera/Lens: Nikon
N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Lava Rock - Capitol Reef National
Park - These basalt boulders can be seen in many portions of Capitol
Reef. These volcanic boulders probably came from Boulder Mountain,
about 30 miles from where I took this photo.
Camera/Lens: Nikon
N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Cottonwood Tree - Zion National
Park - Late afternoon sun provided beautiful back-lighting for the
leaves of this Cottonwood tree in Zion National Park.
Camera/Lens: Canon
FTbn/Vivitar 28-70mm lens
Film: Kodak
Gold 200 Film |
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Utah's
Painted Desert
The area located between Hanksville
and Capitol Reef National Park is often referred to as Utah's Painted
Desert. It is a desolate, haunting landscape or rolling hills
of clay and mudstone, interspaced with stately mesas and butte-forms
of Mancos Shale. Appreciation of this stark landscape can
be an acquired taste. Initially repellant, its weird landforms
and unearthly landscapes tend to grow on you. Further exploration
reveals a world of color and form unlike any other place on earth.
The softly contoured, banded hills of varying pastel hues of brown,
red, purple, gray, and green are know as the Benotinite Hills.
They are composed of the Brushy Basin shale member of the Morrison
Formation, which was formed during Jurassic times when mud, silt,
fine sand, and volcanic ash were deposited in swamps and lakes.
Their unique texture and color prompted Ward Roylance to feature
them on the cover of his Enchanted Wilderness book. Trust
me folks, this place is wild! None-the-less, a trip into this
area during the summer is like walking into an oven. I've
been out here when the ambient temperature is close to 110 degrees.
That heat, coupled with stagnant air and radiant heat reflected
from the ground, can best be described as sweltering. In the
summer I never venture far into the backcountry of this area unless
I have plenty of water. In addition to my normal daily requirements,
I always have at least 10 gallons of extra water in the back of
my truck - just in case. |
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Description:
Mudstone - near Hanksville,
UT - This white hill was about 30 feet in height. I was immediately
stuck by its texture and the stunning contrast of the white mudstone
against the blue sky.
Camera/Lens:
Nikon N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Mudstone - near Hanksville,
UT - The same formation as the previous picture. This shot gives
a closer look at its marvelous texture. It's harder than it looks
- I walked right down the center of this hill and didn't leave any
footprints.
Camera/Lens:
Nikon N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Bentonite Hills - east
of Capitol Reef National Park - The beautiful purple hues and sinuous
drainage patterns speak for themselves.
Camera/Lens: Nikon
N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Bentonite Hills - east
of Capitol Reef National Park - The band of red in the upper portion
of this photo really caught my eye. This was mid-afternoon lighting,
as flat as you can get, yet I thought it brought out the true color
of these beautiful rolling hills. Note: It is rather tiring
walking around on these hills. They have a soft, crumbly texture
that makes walking on them similar to walking in sand. Once
you walk about a mile in this stuff, you can really feel it!
Camera/Lens:
Nikon N65/70-300mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Bentonite Hills - Bentonite
swells when it gets wet (making even 4WD vehicle travel impossible),
and contracts and crumbles when it dries. Because of this constant
cycle of expansion and contraction, few plants ever have the opportunity
to take root. Thus, this landscape is even more barren and desolate
than the standard high deserts of the southwest. However, that
same lack of vegetation makes wandering around between these closely
spaced hills a breeze. The drainage channels are never choked
with vegetation, and they provide much better footing than the hills.
Following these often complex networks of channels is like being inside
a maze. It can be a lot of fun, but you have to pay attention
to where you're going.
Camera/Lens:
Nikon N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Mudstone - Once again,
I was fascinated with the contrast between the white rock and blue
sky.
Camera/Lens: Nikon
N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Mudstone Patterns
Camera/Lens:
Nikon N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Desert Lichen - Even the
most dry and desolate landscapes contain life. Lichens are small
crustlike plants that frequently grow on rock surfaces. Although
they are often gray and drab, some lichens may attain beautiful shades
of orange, yellow and green. Lichens are the result of a symbiotic
relationship between a fungus and an alga. (If you remember
that fact you will know as much as I do about lichens!) Of course,
I also think they're pretty neat looking, and they create some awesome
patterns. This patch was about 3 inches across.
Camera/Lens:
Nikon N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Desert Lichen - I liked
the texture of this 3" patch. When lichens die they turn black,
and eventually flake off the rock surface.
Camera/Lens:
Nikon N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Bentonite Hills - Near
Hanksville, UT - The pastel swirls of color eroding off these hills
was an absolute delight to behold. Pure color.
Camera/Lens:
Nikon N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Bentonite Hills - Near
Hanksville, UT - A closer view of the erosional colors.
Camera/Lens:
Nikon N65/28-70mm Nikkor
Film: Fuji
Velvia Slide Film |
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Description:
Mancos Shale Formations
- Near Caineville, UT - Yet another face of southern Utah. Shall
we call this...Egyptian? Pretty cool stuff if you ask me.
The many faces of Mancos Shale. Utah, what a wild place!
Camera/Lens:
Nikon N65/28-70mm Nikkor
Film: Fuji Velvia Slide
Film |
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